machine control – a standard method for controlling and synchronizing audio and video machines using a 9-pin D-Sub connector via software and other protocols. A DAW can control or be controlled by an external transport, such an audio tape reorder (ATR) or a video tape recorder (VTR).
Macintosh – the trademark or brand name used by Apple for a family of personal computers introduced in 1984. Often called Mac for short.
Macromedia – a graphics, multimedia, and web development software company headquartered in San Francisco, California. Macromedia was created in 1992 with the merger of Authorware Inc. and MacroMind-Paracomp. It produced products such as Flash and Dreamweaver. It was aquired by Adobe in 2005.
MADI – Multichannel Audio Digital Interface. A professional multichannel version of the AES3 (AES/EBU) standard that allows transmitting up to 56 channels of digital audio data over a single coaxial cable terminated with BNC connectors, plus a second cable for word clock. MADI is also available in an optical version.
magnet – a piece of iron, iron ore, alloy, or other material that has its constituent atoms aligned in such a way that the material exhibits properties of magnetism, that is, it attracts other iron-containing objects or it aligns itself in external magnetic fields.
magnetic dipole moment (μ) – the strength of a magnet (or current-carrying coil), expressed as the torque per unit magnetic flux density produced with the axis of the magnet perpendicular to the magnetic field. Also called magnetic moment.
magnetic field – the invisible force created by magnetic particles and objects that pulls on iron objects and attracts or repels other magnetized objects. A magnetic field generated by a current is designated as B. However, when the generated field passes through a magnetic material, which also contributes its own magnetic field, another magnetic field quantity designated as H is used and is usually called the magnetic field strength. It is defined as B = μ0 × H, where μ0 is the magnetic permeability of free space. H is measured in units of amperes per meter (A/m) in SI units or in oersteds (Oe) in CGS units. B is measured in teslas (T) or newtons per meter per ampere [N/(m-A)] in the SI or gauss (G) in CGS.
magnetic film – magnetic recording tape manufactured using the same base as 16-mm, 35-mm, or 70-mm film stock, that contains a magnetic strip running longitudinally down the film for the recording of an audio track or tracks. Magnetic film is the same thickness as regular film so that it will be the same size as a reel of film. It comes in full-coat, which has magnetic oxide applied across its entire width, or as striped magnetic film, which has one or more thin stripes of oxide applied longitudinally on the film base. Magnetic film has not been used much since the advent of digital movie sound. Called mag for short. See also sound follower.
magnetic flux density (ΦB) – the measure of the strength of a magnetic field passing through a given area, usually measured in teslas (T), which is equivalent to webers per square meter (Wb/m2). Also called magnetic field strength.
magnetic induction – the process by which a material, such as iron or steel, becomes magnetized by a magnetic field. The induced magnetism is produced by the force of the field radiating from the poles of a magnet.
magnetic instability – the property of a magnetic coating in which variations in the residual flux density occur with temperature, time, and mechanical flexing. Magnetic instability is a function of particle size, magnetization, and anisotropy. It tends to increase print through and to decrease low-frequency output with time and/or use.
magnetic permeability (μ) – the measure of the ability of a material to support the formation of a magnetic field within itself. It is the degree of magnetization that a material obtains in response to an applied magnetic field. Magnetic permeability is measured in henries per meter (H/m), or newtons per ampere squared (N/A2). The permeability constant (μ0), also known as the magnetic constant is the permeability of free space and is a measure of the amount of resistance encountered when forming a magnetic field in a vacuum. The magnetic constant has the defined value of 4 × π × 10‑7 H/m or approximately 1.2566370614... × 10‑6 H/m or N/A2. Also called permeability.
magnetic pole – one of the two ends of a magnet (either artificial or natural) to and from which the lines of magnetic force are directed.
magnetic recording tape – a recording medium consisting of a base, thin strips of plastic (typically polyester), covered with a magnetic coating (finely ground magnetic particles such as ferric oxide, suspended in a binder). It may also have a back coating. It can be used to record audio, video, and digital data. Audio recording tape comes on 3-inch, 5-inch, 7-inch, and 10½-inch reels, and in ¼-inch, ½-inch, 1-inch, 2-inch, and (rarely) 3-inch widths, and in thicknesses of 0.5 mil (0.0005 inch) to 1.5 mil (0.0015 inch). The thinner tapes can fit more tape on a given size reel, but are more easily damaged, are harder to handle, and more susceptible to print through. See also videotape.
magnetic tape era – the portion of recorded music history from about 1947 to 1982. During this period, records were produced by first recording to tape before creating a disc. Beginning with a single track, recording technology progressed to two, four, eight, sixteen, and eventually to 32 tracks, providing for easier and more creative mixing. Prior to this era, audio was recorded directly to the disc. In about 1982, the digital era began with the introduction of the compact disc. Also called magnetic tape recording era or the high-fidelity era. Some historians break this period down further into the monaural era and the stereo era.
magnetism – a physical phenomenon produced by the motion of an electric charge, resulting in attractive and repulsive forces between objects.
magnetization – (1) The process of imparting magnetism to a magnetic material. (2) The density of permanent or inducedmagnetic dipole moments in a magnetic material, due to microscopic electric currents resulting from the motion of electrons in atoms. Magnetization results from the response of a material to an external magnetic field along with magnetic dipole moments inherent in the material itself. (3) The way a material responds to an applied magnetic field and the way the material changes the magnetic field. Also called magnetic polarization. British spelling magnetisation.
magnetize – to induce magnetic properties in an object. In other words, to make magnetic. British spelling magnetise.
magneto-optical (MO) – pertaining to or using both optical and magnetic phenomena or technology.
magneto-optical disc – a disc made of plastic or glass that is coated with a special compound with special optical, magnetic, and thermal properties. The disc can be read using a low-intensity laser.
magneto-optical drive (MO drive) – a disc drive that can write and rewrite data upon a magneto-optical disc. They are optical but they appear as hard disk drives to the operating system and do not require a special file system.
magnetostatic loudspeaker – a type of loudspeaker that uses an array of metal strips bonded to a large film membrane. A signal flowing through the strips produces a magnetic field that interacts with the magnetic field of permanent bar magnets mounted behind the strips, which causes the membrane to move, producing sound. They are similar to an electrostatic loudspeaker, but instead of using high voltages, magnetostatic loudspeaker use high currents. Magnetostatic speakers are usually less efficient than conventional moving-coil speakers. Sometimes called magnetostats for short.
magnetostrictive louderspeaker – a type of loudspeaker that uses magnetostriction, the property of a ferromagnetic material that causes it to change shape or dimensions when magnetized. The advantages of magnetostrictive speakers are (a) they can create a greater force with smaller excursions than other speaker types, lowering the potential for distortion caused by large excursions, (b) the magnetizing coil is stationary, which makes it easier to cool, and (c) they are also rather robust because there is no delicate suspension or voice coil.
makeup gain – an increase in level following a process that has reduced the level, used most commonly on compressors where the overall level is brought back up after the signal has been compressed.
male connector – a connector attached to a wire, cable, or hardware device that has one or more exposed electrical terminals (prongs) that can be securely inserted into a matching receptacle (female connector) making a good physical electrical connection. A male connector can be easily recognized because the prongs are clearly visible when it is disconnected. Also called a plug.
mandolin – a small lute-like instrument typically with a pear-shaped body and a straight fretted neck, with four sets of paired strings.
mandolin rail – a device installed in an upright piano to create the honky-tonk piano sound. The rail consists of a wooden rod placed in front of the piano strings with strips of leather hanging from the rod. Buttons made of steel or brass are attached to the string side of each strip. When the piano is played the hammers hit the metal buttons against the strings, resulting a metallic honky-tonk sound. The rail is usually hinged so that it can be rotated out of the way when not in use.
Manley Laboratories, Inc. – a company headquatered in Chino, Ca, and founded in 1993 by David and EveAnna Manley, that manufactures high fidelity and professional studio products under the Manley and Langevin brand names. In 1996, David Manley left the company and EveAnna Manley took over as CEO in 1999.
mapping – assigning a function to a control for which there is none or that is different from the standard function. This is a common process in MIDI in which a key map will translate values for MIDI messages so that the keys will play a particular sound or patch.
marcia moderato – a musical term indicating a moderate tempo, like a march, typically 83 to 85 bpm. See chart of tempo terms.
marimba – a Latin American percussion musical instrument that consists of a set of wooden bars of various lengths placed over long tuned metal resonators, played with two yarn-covered mallets in each hand. It is simalar to the xylophone, which has shorter resonators, and the vibraphone, which has metal bars and resonators with rotatating discs that produce vibrato.
marker – a location on the timeline of a DAW, used to indicate sections of a song (such as verses, choruses, or bridges), places to be edited, or other important points in a session. Other DAWs refer to this as a timeline marker, memory location marker, location point, or locate point.
Marshall Amplification – a company founded by Jim Marshall and based in Bletchley, Milton Keynes, Buckinghamshire, UK, that that designs and manufactures guitar amplifiers, speaker cabinets, headphones, drums, and modelling amplifiers. Marshall amplifiers are known for their distinctive crunch and their high output volume. Marshall added drums to its line with the purchase of Natal Drums (previously known as Natal Percussion Company) in 2010.
mass law – a law of physics that states that the ability of a material to reduce the transmission of sound is proportional to its weight. For each doubling of the weight of a wall, there will be 6 dB of sound reduction.
master – (1) Short for master recording. (2) The original master recording on a medium from which commercial copies are made, such as a lacquer master for pressing vinyl discs or a glass master for replicating compact discs. (3) The main control used to set the output level from a device or submix. (4) The device used as a timing reference when synchronizing two or more devices to run together. The devices that follow the master are called slaves. (5) Short for master bus or master fader.
master bus – the main output from a console, mixer, or DAW, usually a two-channel stereo signal, controlled by the master fader. Also called master channel, master track, main channel, or in some DAWs simply master.
Mastered for iTunes (MFiT) – a set of utilities and guidelines designed by Apple to provide the highest quality of music available in the iTunes Music Store. It is both a mastering process and a distribution format. To obtain the Mastered for iTunes designation, a song must be mastered by an approved MFit mastering engineer and then submitted to an approved MFit aggregator.
mastering – (1) The final stage between mixing and replication, in which track levels are adjusted, compression and limiting are added, and equalization is used when necessary to produce a polished sound. Tracks are placed in the desired order and appropriate spacing is inserted between tracks. Mastering also helps ensure the best translatability across all playback devices. (2) Previously, the process for transferring audio from a magnetic tape (called the master tape) to a master disc used in the manufacture of vinyl phonograph records. (3) Another name for the compact discreplication process. Sometimes called CD matering.
mastering engineer – (1) A person skilled in the process of preparing and transferring recorded audio from the final mix to a master, prior to replication. The process involves adjusting levels and adding compression, limiting, and equalization when necessary to produce a polished sound. The mastering engineer places tracks in the desired order and inserts appropriate spacing between tracks. (2) A vinyl mastering engineer.
master of ceremonies (MC) – a person who acts as a host at an event or program, such as a television show, and usually introduces the guests, speakers, performers, or entertainers. Also called an emcee.
Master Quality Authenticated (MQA) – an audio codec for reproducing high resolution audio that can be stored as a file that is small and convenient to download or stream, without the loss of audio quality that is usually associated with compressed files. MQA was introduced by Meridian Audio in 2013, but is now owned and licensed by MQA Ltd. Meridian claims that MQA exceeds the sound quality of all current hi-res formats without the need for high sample rates, while remaining backwards compatible with current playback devices and streaming services. Utilizing a new digital sampling technique, MQA uses a type of apodizing filter instead of the brickwall filtersbrickwall filters used in conventional analog-to-digital converters to reduce aliasing. Then a high-res file is divided into 3 sections, Part A from 20 Hz to 22.05 kHz (or 24 kHz), Part B from there to 44.1 kHz (or 48 kHz), and Part C from there to 88.2 kHz (or 96 kHz). Then the information in Part C is reduced and “encapsulated” and then folded back to be place in the space beneath the noise floor in Part A. Next Part B is folded back beneath C in Part A. This process is called “Music Origami” by Meridian. This technique produces a 44.1-kHz or 48-kHz file (depending on the original sample rate), can be played by conventional devices. However, when played back on an MQA-compatible device, MQA first authenticates a file by checking for a code hidden within the file to ensure it is a true MQA-compatible file. If so, the file is converted back into the hi-res representation of the original master recording. It can use any losslessaudio format, such as WAV, FLAC, or Apple Lossless. If the file is replayed without an MQA decoder, the encapsulated data is ignored and audio quality is supposedly somewhat better than CD quality.
matched pair – two microphones of identical make and model that have been tested and found to have nearly identical performance characteristics. Such microphones are often chosen when using stereo microphone techniques to minimize any differences between the two mics.
matrix mixer – a type of mixer that allows any input to be routed to any output, using a very elaborate busing system.
matrix number – the numbers and other symbols stamped and/or handwritten in the run-out groove area of a phonograph record or in the area near the hub of compact discs (CDs). The matrix number is for internal use by the record manufacturing plant, but they are also of interest to record collectors, because they sometimes can provide useful information about the edition of the record. Matrix numbers are usually, but not always, different from the record catalog number. They contain information to identify for which side of the record a stamper was made to ensure each side receives the correct label. They also can contain additional information, such as cut number, take number, record plant codes, initials or signature of the disc cutting engineer, cutting dates, copyright dates, and logos.
maximum SPL – a specification for microphones that indicates the highest sound pressure level that a mic can handle without distortion, typically specified with a maximum total harmonic distortion (THD) of 0.5% (sometimes 1%) at 1000 Hz. A THD of 0.5% is the point where the distortion can be measured, but cannot be heard. Called max SPL for short.
maxwell (Mx) – the CGS unit for magnetic flux, named after James Clerk Maxwell, who developed the unified theory of electromagnetism. One maxwell is equalt to 10‑8webers, the SI unit. It is equivalent to one gauss-cm2. In other words, a magnetic field with a strength one gauss, one maxwell is the total flux across a surface of one square centimetre perpendicular to the field.
MCA, Inc. – Music Corporation of America, an American media company originally based in Chicago, Illinois. It began busines in the music industry as a record label and music publisher, but branched off into the movie industry and later into the television business. MCA's music business merged into the Universal Music Group, while its entertainment business was acquired by NBC/Universal, which in 2013 became a wholly owned subsidiary of Comcast.
MCPS – Mechanical Copyright Protection Society. See MCPS-PRS.
MCPS-PRS – The MCPS-PRS Alliance Limited. MCPS-PRS is a performance rights organization in the UK that protects the rights of artists and publishers and collects and distributes royalties to its members. The MCPS-PRS Alliance was formed in 1997 as a merger of two collection societies: the Mechanical-Copyright Protection Society (MCPS) and the Performing Right Society (PRS). It goes by the bradning name, “PRS for Music.” It is similar to BMI, ASCAP and SESAC in the US.
MCU protocol (Mackie Control Universal) – a proprietary communications protocol for interfacing between a hardware audio control surface and a digital audio workstation (DAW) to exchange MIDI signals that synchronize sliders, buttons, wheels, displays, and other controls. This protocol began with the introduction of Logic Control, a control surface jointly designed by Emagic and Mackie for the Logic Pro DAW software. Later the same year, Mackie introduced a physically identical product called “Mackie Control” which worked with most DAW applications other than Logic. The Emagic Logic Control was still available, but only worked with Logic. Later, the Mackie Control firmware was updated making it compatible with Logic. The name then was changed to “Mackie Control Universal” (MCU). Although proprietary, the protocol has become somewhat of a de facto standard.
M&E – Music and Effects. The M and E in DME. The three components of a moviesoundtrack without the dialog, used for foreign voice dubbing. If the M&E stems are not available (clear of dialog), then they must be replaced either by cut effects or foley tracks. Also called mufex.
mean free path – the average distance traveled by a sound wave between successive reflections. In an enclosure, the mean free path (l) of a single particle bouncing off the walls can be calculated using the formula l = 4V/S, where V is volume of the enclosure and S is total inside surface area of enclosure. This equation is used in the derivation of the Sabine formula.
mean-tone temperament – a tuning system or temperament that is a refinement of the just intonation. In this scheme the major thirds are made exact, which results in the fifths becoming slightly flattened in such a way that the errors of the just intonation is spread out over four fifths. This refinement reduces the dissonance and makes the fifths more acceptable. Whole steps (tones) are all equal in size and are equal to √ 1.25 = 1.11803. Semitones = √ 2/(1.25)5/2 = 1.06998 This makes the mean-tone temperatment more melodically acceptable than the just intonation. See table below. See also Pythagorean tuning, harmonic series tuning, and equal temperament.
Frequency Ratio to Tonic
measure – in music a segment of time defined by a given number of beats as specified by the time signature and indicated by the space between two vertical bars. Also called a bar.
mebi- – one of the new binary prefixes approved by the IEC and used to distinguish between binary and decimal prefixes. The term mebi- represents 1,048,576 (220) versus mega- which represents 1,000,000 (106). For example, you would use 24 mebibits, abbreviated 24 Mib, or 24 megabits, abbreviated 24 Mb.
mechanical coupling – a rigid connection between two isolated objects. When an acoustically isolated room transmits sound vibrations, it is frequently due to a mechanical coupling created during construction. For example, two isolated walls will become mechanically coupled if rigid electrical conduit is fastened to both walls. Other potential causes of mechanical coupling include air ducts and plumbing. Also called by slang term mechanical short.
mechanical decoupling – (1) Reducing transmission of physical vibrations between objects (mechanical coupling), typically accomplished by inserting a flexible material between rigid components. For example, using flexible electrical conduit instead of rigid conduit, using accordion-shaped canvas joints instead of rigid air-ducts, and using flexible tubing instead of hard plumbing pipes. (2) Sonically isolating an object from other objects, such as isolating a microphone from the stand by using a shock mount or a speaker cabinet from the wall or floor using an isolation pad. Also called mechanical isolation.
mechanical rights societies – organization is various countries formed to administer and collect mechanical royalties (mechanicals) for their members for the statutory license agreements of music, literature, and dramatic works.
mechanical wave – a wave that transmits energy through oscillation of matter. Mechanical waves can be produced only in a medium that has elasticity and inertia. Unlike electromagnetic waves, they cannot propagate through a vacuum.
media – (1) The means for mass communication regarded collectively, such as television, radio, newspapers, and the internet. (2) The plural of medium.
media access control (MAC) address – a unique identifier, usually assigned to an interface by the manufacturer of a network interface controller (NIC), used as an address for communications on a network, especially IEEE 802 networks, such as Ethernet and Wi-Fi. MAC addresses are normally stored in the hardware's firmware or read-only memory. Also be known as an Ethernet hardware address (EHA), hardware address, or physical address.
Media & Entertainment Services Alliance (MESA) – a trade organization of media companies that help their members increase efficiencies in the creation, production, and distribution of physical and digital media and entertainment, and provide market intelligence, research initiatives, industry advocacy, and collaborative workgroups. It now includes as a subgroup within MESA the Content Delivery & Security Association (CDSA), which began in 1970 as the International Tape Association (ITA). It later evolved into the International Recording Media Association (IRMA), a trade association that dealt with recording and recording media, such as raw material providers, manufacturers, replicators, duplicators, packagers, and copyright holders. Today the CDSA is mostly concerned with content and IP protection.
media file – a computer file containing images, audio, or video.
median – a type of average, represented by a value or number that lies at the midpoint of a distribution of values or numbers, such that there is an equal probability of falling above or below it. A median is often used when the collection of numbers has a few outlying values that are very large or small compared to the other values, which tends to skew an arithmetic mean. See also geometric mean, and median.
median plane – a plane along which all points are equidistant from the two studio monitors. If there are more than one set of monitors, they should all share the same median plane. The listening position should be on that plane at a distance that forms an equilateral triangle between the listener and the two speakers. This position provides the best phantom image and the best soundstage. Ideally the room should share that median plane, so that the side walls are equidistant from the median plane.
media player – (1) A portable electronics device used to store and play back media such as audio, images, and video files. They can be either digital (stored on a CD, DVD, flash memory, or hard drive) or analog (stored on cassette tapes or records). They are sometimes called MP3 players even when they can play other file formats and media types. The increase in sales of smartphones and tablet computers has led to a decline in sales of portable media players, although the AppleiPod and SonyWalkman are still being produced. Also called a digital media player (a term also used for a digital media streamer), digital music player, portable music player, portable media player (PMP), portable digital player, or digital audio player (DAP). (2) Software that plays audio or video files on the computer. The Windows Media Player by Microsoft is the default player for Windows computers, iTunes, RealPlayer, and other players are also widely used. QuickTime Player and iTunes are the default media players for the Mac.
mega- (m) – the metric prefix for a factor of 1,000,000. It uses the lower-case m, while upper-case K is used to mean 1,048,576 (220), although this convention is not always strictly adhered to. Often called meg for short. See also mebi-.
Megabyte (MB) – a term in popular use for 1,048,576 (220) bytes, but the correct term should be mebibyte. See mebi.
MELF – Metal Electrode Leadless Face. Cylindrical electronic surface-mount components, usually diodes and resistors, that have non-lead-containing metal on each end. Although they are somewhat difficult to handle, they are used in high-reliability and precision applications. Their advantages are low failure rates, greater accuracy, long-term stability, moisture resistance, and high-temperature tolerance.
melisma – singing more than one note to a single syllable of the lyrics of a song.
melody – a succession of notes in a musical composition, as distinguished from harmony and rhythm.
Melodyne – a pitch correctionprocessor developed by Celemony that measures the pitch of an audio signal, typically a vocal, and adjusts it to the correct pitch. It is used in many professional recording studios to manipulate audio signals in various ways, such as time stretching, melody rebuilding, and creating backing vocals from existing lead vocals.
mel scale – a scale of pitches that was judged by listeners under experimental conditions to have equal intervals from one another. As a reference, a pure tone with a frequency of 1,000 Hz and a sound pressure level of 40 dB was assigned a pitch of 1,000 mels. For notes above 500 Hz, listeners judged four octaves on the hertz scale to comprise about two octaves on the mel scale. A number of researchers have produced different results, leading to the conclusion that the data is flawed due to experimental errors. The name mel comes from the word melody.
membranophone – a classifications for musical instruments in which a stretched membrane vibrates to produce sound according to the Hornbostel-Sachs system of musical instrument classification. Examples inlude a large variety of drums. The other four classifications are electrophone, idiophone, chordophone, and aerophone.
Memorex – a company established in 1961 in Silicon Valley to manufacture computer tape. It later expanded into computer peripherals and in 1971 into consumer audio tape. Purchased by Burroughs (which was later merged with Sperry to form Unisys) in 1982, the various divisions of Memorex were closed, sold, or spun off. In 1988 Memorex merged with the Telex Corporation becoming Memorex Telex NV, a Netherlands-base corporation. Memorex is now a brand owned by Imation for consumer electronics and audio accessories, such as portable audio players, television sets, Blu-ray disc players, flash drives, CDs, and DVDs, although few of these products are actually manufactured by Memorex or Imation.
memory – components in a computer used to store digital data.
Memory Stick – (1) A type of flash memory storage device developed by Sony for use in digitalcameras, camcorders, and other electronic devices. It is a proprietary Sony product used in almost all its products requiring flash media. As a result Memory Stick cards are incompatible with memory cards used in most products not made by Sony. (2) A slang term for a memory card.
mercury (Hg) – a chemical element that exists as a heavy, silvery liquid. It is the only metallic element that is liquid at room temperature and pressure. Mercury is used in thermometers, barometers, mercury switches, fluorescent lamps, and many other devices. In barometers, atmospheric pressure is indicated by how high the pressure pushes mercury up a tube, measured in inches or millimeters. The latter was once indicated as mm Hg, but now is shown as torr. Also known as quicksilver.
Meridian lossless packing (MLP) – a proprietary losslesscompression technique for audio data developed by Meridian Audio, Ltd. MLP is the standard compression method for DVD-Audio. Although all DVD-Audio players can decode MLP, its use on the discs is at the discretion of the producer. Dolby TrueHD uses MLP on Blu-ray discs. Also known as packed PCM (PPCM).
metadata – data about data. Historically, a card catalog in a library is an example of metadata. In the digital age, the information in a website header is metadata, as is the information contained in an ID Tag (metatag) of an mp3 file.
metafile – (1) A file that describes the contents of other files. It may contain metadata, that defines a group other files and provides a summary of the data those files contain. (2) A file used in computer graphics that defines objects and images defined by a list of coordinates.
metal evaporated (ME) tape – a magnetic recording tape with a magnetic coating with no binder consiting of a single, homogeneous metal alloy layer that is evaporated onto the tape base in a vaccuum. Used primarily for video tapes, ME tape has a higher signal level than other formulations and stabilities similar to metal particle tape, but because the magnetic layer is much thinner they are not as durable as other tape formulations.
metal particle tape – a type of magnetic recording tape that uses microscopic-sized particles of iron instead of iron oxide for the magnetic coating. It exhibits better performance than oxide tape, particularly at high frequencies and lower tape speeds, but it requires a different bias and equalization and tends to be less flexible and more abrasive to the tape heads, resulting increased shedding and head wear. Designated as Type IV. Also called metal tape or MP tape. See also metal evaporated tape.
metatag – metadata embedded in other files, such as the tag used to store information about a web page in an HTML file (but that is not displayed in Web browsers) or tags embedded in audio files that include song titles, artist names, and other information. See also ID tag.
meter – (1) A unit of length in the SI system equal to 100 centimeters or approximately 39.37 inches. Abbreviated as m. (2) An instrument used to measure and indicate a quantity. In the studio meters, such as level indicators, are used to indicate the recording level. (3) To watch closely the level of a signal. (4) In music, the pattern of notes or accents in a verse. British spelling metre.
metronome – (1) A mechanical or electronic device that provides an audible sound (such as a click) or visual indication (moving arm or blinking light) at an adjustable rate, used for marking tempo for a musician, especially while practicing music. (2) The name used by some DAWs for a click track.
Metronome Marking (M.M.) – a notation typically found at the beginning of a musical composition that indicates the tempo using tempo terms (see Chart of Tempo Terms) or, more commonly today, beats per minute (bpm). Often the tempo is written as a quarternote equalling the tempo in bpm, but occasionally other notes are used. Originally it stood for Mälzel Metronome.
metropolitan area network (MAN) – a computer network larger than a local area network, covering the area of a few city blocks to an entire city and sometimes including the surrounding areas.
mezzo-soprano – (1) The vocal range of the adult female voice between soprano and alto or contralto, usually a range from the A below middle C to the A two octaves above (A3-A5). (2) The musical range between soprano and alto or contralto. (3) A singer whose voice is within this range. (4) A musical instrument that plays within this range. (5) A vocal or instrumental part written in this range.
mezzo-soprano clef – the symbol on a music staff indicating that the second line from the bottom of the staff represents the pitch of middle C. One of five C clefs, the mezzo-soprano clef is mostly obsolete now.
microcomputer – a personal computer designed for use by one person. A microcomputer contains a CPU, memory, I/O ports, and a bus contained on a unit called a motherboard. The term microcomputer is normally used to distinguish it from minicomputers (medium-sized computers) and large mainframe computers.
Microdot – a company, now owned by TE Connectivity, that manufactures small coaxial and multi-pin connectors. Their S-50 connector, a small coaxial connector that uses a 10-32 thread, has become known as “the Microdot connector” and is used in small microphones and other transducers.
microgroove – the name applied to the narrower groove size that was first used for the 33⅓-rpm LPrecord. Prior to that, the standard record was a 78-rpm disc, with grooves ranging in width from 2.5 to 4 mm, with the wider versions being early on. By contrast, the microgroove was 75 μm (0.075 mm) wide, or about one-thirtieth as wide.
micrometer (μm) – (1) A unit of length in the SI system equal to one millionth (10‑6) of a meter. Also called micron. (2) A precision instrument for measuring very small distances.
micromho (μmho) – one-millionth (10‑6) of a mho, a unit for measuring conductivity. It has been replaced by the SI unit microsiemens. One micromho equals one microsiemens. See siemens.
micron (μ) – a unit of length equal to one millionth (10‑6) of a meter. The more correct term is now micrometer (μm).
microphone array – a collection of several microphones arranged in a specific pattern and operating together, often linked to a computer that receives and interprets the sound into a usable form. Microphone arrays are used for a number of applications including surround sound, beamforming, extracting voice from ambient noise, and locating objects by sound.
microphone mount – the device used to attach a microphone to a microphone stand, usually using threads on the end of the boom. It can be as simple as a clip, or as complex as a shock mount, or designed specifically for a given microphone.
microphone response types – measurement microphones (also called calibration or test microphones) come in three response types: free-field, pressure, and random incidence. All have similar frequency responses at lower frequencies, but begin to differ as the frequency increases. The free-field microphone (also called a frontal incidence microphone) measures sound pressure directly at the diaphragm as if no microphone were present. It is most accurate for measuring single sources from a single direction and at 0° angle of incidence. It works best in areas with no reflections. Pressure response microphones are typically flush-mounted to a wall or in a cavity and measure pressure in front of the diaphragm without need for correction for it being present. The random incidence microphone (also called a diffuse-field microphone) is omnidirectional and measures pressures from multiple sources, coming from multiple directions, and with multiple reflections. A random incidence microphone needs to compensate for its presence in the sound field.
microphone sensitivity – see sensitivity, definition #2.
microphone stand – a device consisting of a metal tube(s) and a base used to hold a microphone so that the performer does not need to hold it. The stand can be vertical with telescoping tubes that allow for quick height adjustment and may have a boom arm attachment to provide for horizontal placement. It may be a heavy domed-shaped metal base or a folding tripod base. Stands come in a variety of sizes from the desk stand to the heavy duty overhead microphone stand. Called a mic stand for short.
microphone thread sizes – a microphone mount is attached to a microphone stand using a threaded socket. The most common size in the US and Canada is 5/8-27, which has a ⅝-inch diameter and 27 threads per inch (tpi) unified straight thread (UST). In the UK and most of the rest of the world, a 3/8-16 size is used, which has a ⅜-inch diameter and 16 threads per inch (TPI) British Standard Whitworth (BSW). It is sometimes incorrectly called a 10-mm size. There is also a 1/4-20 (¼-inch and 20 tpi) frequently used to mount microphones to cameras, cameras to tripods, etc. A microphone screw adapter can be used to convert from one size to another.
microphonic – an undesired electrical noise caused by mechanical or audio-induced vibration of the components in an electronic device.
microprocessor – an integrated circuit that contains the arithmetic, logic, and control circuitry for a computer. The main microprocessor is called the central processing unit (CPU). Sometimes other microprocessors are added to share the load with the CPU.
microsecond (μs) – one-millionth (10‑6) of a second.
microsiemens (μS) – one-millionth (10‑6) of a siemens.
Microsoft Corporation – a company founded in 1975 by Paul Allen and Bill Gates that develops software, operating systems (DOS and Windows), and many other computer related products.
Microtech Gefell – a manufacturer of professional recording microphones founded as a spinoff of a company founded by Georg Neumann. During World War II, Georg Neumann's factory in Berlin was bombed by Allied forces, and he moved the company to the town of Gefell in Thuringia, a state in eastern Germany, where he resumed production in 1944 as Georg Neumann & Company Gefell. After the war, Georg Neumann returned to Berlin in one of the Allied sectors and re-established his company as Georg Neumann GmbH. Meannwhile, Thuringia had come under Soviet control, and the company in Gefell became a state-run enterprise in East Germany. When the Berlin Wall was erected in 1961, Neumann's Berlin and Gefell facilities were separated. However, Neumann and his engineers in Berlin were able to maintain contact with the factory in Gefell until 1976, when Georg Neumann died. Due to West Germany's insistence, the Gefell factory changed its name to VEB Mikrofontechnik Gefell in 1972, but it continued to manufacture microphones using the Neumann name until the reunification of Germany in 1990. When the Berlin Wall came down in 1989, engineers from the Berlin visited the Gefell factory and were surprised at the advancements that had been made there since the two facilities had been separated. To many people, the Gefell operation is more deserving of the use of the Neumann name for its microphones since they still handmake the capsules using the techniques developed by Georg Neumann, and in light of the take over of the Berlin operation in 1991 by Sennheiser.
microwave – a wave in the radio frequency spectrum having a wavelength in the range of 1 mm to 10 cm or in the frequency range of 3 to 300 GHZ. Microwaves have frequencies just below infrared radiation, and are used for radar, satellite radio and television, microwave ovens, and a number of industrial applications.
mid bass – one of four subdivisions into which bass is sometimes divided, covering the range of 80 Hz to 160 Hz. The other three subdivisions are deep bass (40 Hz to 80 Hz), low bass (40 Hz to 80 Hz), and upper bass (160 to 350 Hz), although these ranges vary from source to source. See also audio spectrum.
middle C – the music note C near the center of the piano keyboard, designated C4. The first C below the international pitch of A=440. It is represented as a note on the first ledger line below the staff on a treble clef or the first ledger line above the staff on a bass clef. The pitch equals 261.63 Hz and has the MIDI note number 60. See chart showing all the notes and their frequencies, as well as the corresponding MIDI note numbers.
midfield monitors – studio monitors (speakers) designed for listening at medium distances, typically six to ten feet. Midfield monitors are usually larger and more powerful than nearfield monitors, having larger cabinets, larger woofers (typically 8 to 10" or larger), and often using three-way designs. They are designed to provide more bass and deliver good mid- and high-frequency dispersion at greater distances, especially for larger listening rooms. See also far-field monitors.
MIDI Association, The (TMA) – an organization established in 2016 by the MIDI Manufacturers Association for consumers and others interested in working, playing, and creating with MIDI. It created MIDI.org as a repository of information related to MIDI technology.
MIDI CC – MIDI Control Change or Continuous Controller. A type of MIDI data used to control parameters like modulation, volume, pan and sustain. A MIDI controller with knobs and faders that can be programmed usuallyy send out MIDI CCs.
MIDI interface – a device that converts MIDI data into a digital format that can be used by a computer and converts digital data into a MIDI signal.
MIDI keyboard – a piano-style keyboard device used as an interface for sending MIDI data over a USB or MIDI cable to other devices. A MIDI keyboard produces no sound, but sends MIDI signals to devices that reproduce sounds digitally or by using samples that emulate analog musical instruments.
MIDI Manufacturers Association (MMA) – an organization of companies that develops technical standards for MIDI technology.
MIDI message – data sent by MIDI devices to communicate with one another, consisting of a status byte and up to two data bytes. MIDI message can be either a channel message that is transmitted on individual channels rather that globally to all devices in the MIDI network or a system message that carries information that is not channel specific, such as a timing signal for synchronization and detailed setup information.
MIDI note number – numerical values from 0 to 127 assigned to musical notes in the MIDI system. See chart showing the MIDI note numbers with the corresponding notes and frequencies.
MIDI pickup – a pickup on guitars and other instrumentsconnectorconvert pitch-to-MIDI. Some systems do not actually do any onboard pitch-to-MIDI conversion, but are part of a system that includes a separate converter, but are still included in the category of MIDI pickups.
MIDI sequencer – hardware or software that can record and playback MIDI data.
MIDI Specification 1.0 – the specifications for MIDI published by the MMA that describe (a) the electrical and mechanical connections between compatible devices and (b) the communications protocol for message formats.
MIDI thru – a connector on a device that duplicates the MIDI data and sends it to be used by another MIDI device, connected in series. Some devices do not have a MIDI thru connection and must be placed at the end of a MIDI chain. However, there are some hardware devices called MIDI Thru units or Thru boxes (splitters) that can be used in such situations.
MIDI time code (MTC) – a method of embedding standard SMPTE timecode in a MIDI signal as a series of small quarter-frame MIDI messages, which are transmitted in a sequence of eight messages taking two frames to complete a timecode value. Unlike standard SMPTE timecode, the MTC messages carry a two-bit flag value that identifies the rate of the timecode as 24 fps (standard film rate), 25 fps (PAL video), 29.97 fps (drop-frame timecode for NTSC video), or 30 fps (non-drop timecode for NTSC video). Also called MIDI time division.
midrange – (1) The middle range of audio frequencies to which the ear is most sensitive. (2) The portion of the audio spectrum from about 350 Hz to 5,000 Hz. It is sometimes broken down into two to four subparts, lower midrange (350 Hz to 600 Hz), middle midrange (600 to 1200 Hz), and upper midrange (1.2 kHz to 2.4 kHz), with the presence range (2.4 kHz to 5 kHz) sometimes included. Also called midrange frequencies, sometimes shortened to mid or mids.
midrange-tweeter-midrange configuration (MTM) – a loudspeaker configuration created by Joseph D'Appolito that is designed to to limit the radiation pattern so that there is less dispersion above and below the center axis of the speaker in order to minimize floor and ceiling reflections. In this configuration the tweeter is placed between two midrange drivers, with the size and spacing of the drivers being critical. Also called a midwoofer-tweeter-midwoofer configuration or the D'Appolito configuration.
mid-side matrix – an arrangement of channels on a mixer or DAW intended for processing signals from a mid-side (M/S) stereo microphone system. One matrix uses three channels: a channel for the mid (center) microphone, a channel for the side microphone, and a third channel for the side microphone with the polarity reversed. The three channels are mixed to produce two channels with varying degrees of stereo separation.
mike – a less-preferred abbreviation for microphone. The preferred spelling is mic.
miking – the process of positioning a microphone in order to obtain the best quality of sound. Sometimes spelled micing, although that looks more like it has something to do with mice. See also microphone technique.
mil – a unit of length equal to 0.001 inch. Recording tape thicknesses are usually measured in mils.
milli- (m) – the SI prefix for a factor of one thousandth (10‑3).
mimesis – imitative representation of the real world in art, literature, and movies. See also diegesis.
mimetic – pertaining to or characterized by imitation or mimicry.
miniature phone plug – a 3.5 mm phone plug. Also called a mini phone plug or miniplug. Often incorrectly referred to an ⅛-inch plug. See also TS and TRS.
Mini CD – a smaller version of the compact disc, having a diameter ranging from 60 mm (2.4 in) to 80 mm (3.1 in) , but frequently called a “3-in” CD. Mini CDs have a capacity of about a third of a conventional CD. They were sometimes used for CD singles, containing up to 24 minutes of audio.
Mini DisplayPort (MiniDP/MDP) – a miniaturized version of the DisplayPortdigitalinterface, which is primarily used to connect video to a display. The MDP was developed and licensed by Apple beginning in 2008. However, in 2016 Apple began phasing out the MDP as it switched over to the USB-C connector.
Mini DV – Miniature Digital Video. A type of digital camcorder format for recording and playing back digitalvideo. A Mini DV Cassette (DVC) can hold 11 GB of data on a tape 65 meters long.
minimum audible field (MAF) – the threshold of hearing as determined under free-field conditions. The threshold of hearing is normally measured using headphones, which is called minimum audible pressure (MAP). The minimum audible field thresholds are typically 6 to 10 dB higher than thresholds resulting from minimal audible pressure. Thresholds obtained under free-field conditions are more difficult to measure due to the necessity of extremely quiet conditions.
minimum audible frequency (MAF) – the lowest line on an equal loudness curve, corresponding to 0 dB SPL.
minimum audible pressure (MAP) – the threshold of hearing as determined using headphones. When the threshold is determined under free-field conditions, it is called minimum audible field (MAF). The minimum audible field thresholds are typically 6 to 10 dB higher than thresholds resulting from minimal audible pressure.
minimum-phase equalizer – a conventional analogequalizer, as opposed to a linear-phase equalizer. All analog equalizers introduce some phase shifts due to the latency created while boosting or cutting the affected frequency bands. While this is unavoidable, manufacturers try to reduce the amount of phase-shift as much as possible, and so they call them minimum-phase equalizers. Only digital equalizers can be designed as linear-phase equalizers. Sometimes called nonlinear-phase equalizer or natural-phase equalizer.
minor chord – a chord having a root, a minor third, and a perfect fifth. A chord with just these three notes is called a minor triad. Minor triads with additional notes, such as the minor seventh chord, are also called minor chords.
minor scale – a diatonicscale with each note separated by a whole tones except between the 2nd and 3rd and the 5th and 6th notes, which are separated by semitones, resulting in an interval pattern of tone-semitone-tone-tone-semitone-tone-tone. This is one of three variations on the minor scale and is called a natural minor scale or Aeolian scale or mode. A second variation is the harmonic minor scale, which is the same as the natural minor except that the seventh note is raised by one semitone resulting in an interval pattern of tone-semitone-tone-tone-semitone-1½ tones-tone. The third variation, the melodic minor scale, is the same as the natural minor scale except the sixth and seventh notes are raised by a semitone when the scale is ascending, but is the same as the natural minor when descending. The ascending pattern is tone-semitone-tone-tone-tone-tone-semitone. See chart of circle of fifths.
minute – (1) A unit of time equal to sixty seconds or 1⁄60 of an hour. (2) 1⁄60 of a degree of angular measurement. It uses the ' symbol.
mirror points – the positions on a wall or ceiling where, if a mirror were placed, the visual reflection of a studio monitor would be seen from the listening position. That point represents the place where sound waves from the monitor will be reflected directly to the listener and is the ideal location to place an acoustic absorber to prevent such reflections. See also reflection-free zone.
Mitsubishi Electric Corporation – a multinational electronics and electrical equipment manufacturing company headquartered in Tokyo, Japan, founded in 1921. It is a member of the Mitsubishi Group, a group of companies that share the Mitsubishi name, trademark, and legacy, but are independently owned and operated. In the US, Mitsubishi Electric sells and manufactures its products through Mitsubishi Electric United States, headquartered in Cypress, California.
mix – (1) To combine or blend two or more signals or tracks into a single mono track, two stereo tracks, or several surround tracks. See mixing. (2) A recording that has been combined from several sources or tracks, i.e. the “mix.” (3) A control on a delay unit that blends the amount of wet and dry signal.
mix bus compression – applying a compressor to the entire mix of a recording, often by inserting it on the master bus or master fader. Sometimes called 2-bus compression or two-bus compression. Also spelled mix buss compression. See also bus compression.
mix engineer – an audio engineer responsible for combining or mixing the various tracks (vocals, instruments, effects, etc.) of a recording session into a final version of a song, called the mix down or final mix. The object of mixing is to achieve a good balance of volume, panning, EQ, and other effects. Also called a mixing engineer.
mixer – (1) A device that blends and controls the level of several audio signals. (2) The section of a
console that combines and blends a number of audio signals. (3) An audio engineer who mixes.
MLV – Mass-Loaded Vinyl. A heavy, flexible sheeting made from vinyl impregnated with metal particles to increase its mass and used for soundproofing. Typically MLV is sandwiched between other materials, such as between two layers of drywall, to diminish the transmission of sound through walls and ceilings.
MKS – Meter-Kilogram-Second, a version of the metric system, which has been superceded by the SI system. See also CGS.
MN-taper – a special taper used for potentiometers on home stereo balance controls, consisting of two sections (one for each channel) operating in opposite directions, with the first half of travel of each section having zero resistance and the second half being a linear taper. Also called a balance pot. Sometimes shown as M+N taper.
mod – (1) Short for modification, such as in modifying a microphone. (2) Short for modulation, as in mod wheel.
modal distribution (MD) – a plot of the time vs. frequency distribution of low-frequency (usually less than 300 Hz), resonant sound waves (room modes) within a confined space.
modal synthesis – a method used to synthesize sounds by modeling the sound of an object using a combination of modes, each of which vibrates independently of the others. This type of modeling is only accurate for sounds produced by linear phenomena, such as a the strings of a guitar.
modal voice – the vocal register used most frequently in speech and singing. In other words, it is the normal voice.
moderato – a musical term indicating a moderate tempo, typically 86 to 120 bpm. See chart of tempo terms.
modifier key – a key on a computer keyboard used in conjunction with numeric keys, alphabetic keys, or mouse clicks to change the functionality. On a Winows keyboard, you have the Shift, Control (Ctrl), Windows (Win), and Alternate (Alt) keys. These correspond roughly to Shift, Command (Cmd), Option (Opt), and Control (Ctrl) keys on the Mac, but not always. See also keyboard shortcut.
modular digital multitrack (MDM) – a digitalmultitrack recorder (typically with 8 tracks) that can be synchronized with other machines of the same type to add additional tracks. Also called a modular recorder.
modulation – (1) Imposing a signal onto a carrier wave by modifying a property of the wave, such as its amplitude, frequency, or phase. (2) The regulation, modification, or adjustment of one signal by another signal. (3) Modifying the behavior of a signal processor by inputting a secondary signal (called the key) by means of a side chain. (4) In music, the process of changing from one key to another, to add interest or musical expression. This is also called a key change.
modulation noise – a hiss or other noise that occurs only when the main signal is present and varies in intensity with the intensity of the main signal. It is caused by the Barkhausen effect and is sometimes called Barkhausen noise. See also tape noise.
modulation wheel – one of the defined MIDI controller change messages. The modulation wheel typically is a wheel on the left side of a keyboard that can be programmed by the user to create an effect, such as vibrato or bending. Called mod wheel for short.
mondegreen – the mishearing or misunderstanding of a phrase in a poem or song, in such a way as to give it a new meaning. The term mondegreen was coined by American writer Sylvia Wright due her misunderstanding of the last line of the first stanza of the ballad “The Bonnie Earl o' Moray.” The last line is “And laid him on the green,” but she heard “And Lady Mondegreen.” Other famous examples are “There's a bathroom on the right” instead of “There's a bad moon on the rise” from “Bad Moon Rising” by Creedence Clearwater Revival and “'Scuse me while I kiss this guy” instead of “'Scuse me while I kiss the sky” from “Purple Haze” by The Jimi Hendrix Experience.
monitor – (1) To listen. (2) A loudspeaker used to listen and judge sound quality. See also studio monitors. (3) A loudspeaker that allows musicians on stage to hear the music. Also called a stage monitor or floor monitor. (4) To observe a process or activity to evaluate or maintain quality. (5) A computer screen or visual display that allows a user to interface with a computer. (6) A video screen in a television studio used to view what is being recorded or broadcast.
monitor controller – a device used to control the audio signals going to the studio monitors. The controller usually allows you to select from two or more sets of monitors and may adjust the volume of the monitors, subwoofers, and individual headphone levels, select solo or mute, and provide other controls.
monitoring – (1) Listening to live or recorded signals through headphones or studio monitors to evaluate or verify or for guidance during recording and overdubs. (2) Observing a process or activity to evaluate or to maintain quality.
monitor selector – (1) A selector switch on some consoles and DAWs that selects what is heard over the studio monitors, such as main outputs, tape machine, disc player, etc. (2) A switch on some tape machines that selects between “Source” (the input signal) and “Tape” (the recorded signal on the recording tape), sending it to the meters and electronics. Also called a monitor select.
Monkey's Audio – an audio file format for lossless audio data compression that reduces the file size by about 50%, but does not discard data during encoding, as opposed to lossy compression techniques such as MP3, AAC, and Vorbis. A digital audio file (such as on a CD) that has been encoded with the Monkey's Audio format can be decompressed back into an identical copy of the original audio data. It uses the .ape file extension.
mono compatibility – the ability to combine the left and right channels of a stereosignal into one monophonic channel without loss of fidelity or deterioration of the quality of the signal. This capability is especially desired by FM broadcasters where a certain percentage of their listeners will receive the signal in mono.
Moog synthesizer – the first electronic keyboard developed by Robert A. Moog, which he introduced in 1964. The term is sometimes used generically for older analogsynthesizers, as opposed to newer digital synthesizers.
MoonGel® damper pads – translucent blue pads made from a soft, sticky, non-toxic gel that are manufactured by RTOM. These self-adhesive pads can be applied to the surface of drums, cymbals, and other percussion instruments to reduce unwanted resonances and to produce a punchier sound.
mother – in vinyl record production, a positive impression made by the two-step plating process, reproducing the exact shape of the grooves on a lacquer master on a metal disk. From it, a stamper is made that is used to press the records.
motif – a short musical idea, musical fragment, or series of notes that has some special importance or is characteristic of a composition, often used as building blocks for longer melodies, or even complete movements. Also spelled motive.
motion picture – (1) A series of pictures projected from a film onto a screen in rapid succession so as to produce the optical effect of a objects moving. (2) A story represented using motion pictures. Also called a moving picture or just movie for short.
motor – (1) Something that creates motion. (2) A rotating device that transforms electrical energy into mechanical energy. (3) A power unit, such as an electric motor or internal combustion engine. (4) A speaker motor. (5) A ribbon motor.
Motorola DSP56000 – a family of digital signal processor (DSP) chips introduced in 1986 by Motorola (later known as Freescale Semiconductor, which was acquired by NXP Semiconductor) that uses 24-bit, fixed-point processing, with more advanced models being produced more recently. The chip has been very important in the development of pro audio instruments and hardware, being used in audio processorssynthesizers, and A/D and D/A converters, as well the Pro Tools TDM system. More recently, more advanced 32-bit floating point DSP chips have become more common. Sometimes called a Motorola 56K. See also SHARC.
Motown – a record label founded in Detroit, Michigan, in 1959 by Berry Gordy, Jr. as Tamla Records and incorporated as Motown Record Corporation. It was important in popularizing a style of soul music having a strong pop influence, that became known as the Motown Sound. Motown produced many popular artists such as the Supremes, Smokey Robinson and the Miracles, Marvin Gaye, Gladys Knight and the Pips, Stevie Wonder, Martha and the Vandellas, and many more. Gordy relocated Motown to Los Angeles in 1968. In 1988, Gordy retired and sold the company to MCA. It was sold to PolyGram in 1994. In 1999, it became part of Universal Music Group when it acquired PolyGram.
movable chord – a fingering or chord shape on a stringed instrument that can be moved to various positions on the fingerboard to produce the same chord type, such as a major, minor, or 7th chord, but with a different root. For example, on a standard tunedguitar, the chord shape at the third fret that produces a G major chord, when moved up two frets to the fifth fret produces an A major chord, and when moved up to the seventh fret produces a B major chord.
movie theater – a venue (usually a building) for exhibiting movies, mostly (but not always) to the general public, who usually attend upon purchasing a ticket. Sometimes spelled movie theatre. Also called a cinema, movie house, film house, film theater, or picture house.
moving-coil loudspeaker – a type of loudspeaker that uses a speaker cone (a lightweight diaphragm made of paper, plastic, or other material) that is attached to a frame (called a basket) with a flexible suspension so that the voice coil moves axially through a cylindrical magnetic gap. An electrical signal applied to the voice coil creates a magnetic field that generates a mechanical force causing the coil and the attached cone to move back and forth creating sound in accordance with the signal coming from the amplifier. See diagram. Moving-coil loudspeakers are the most common type of speaker. Also called a dynamic loudspeaker.
Moving Picture Experts Group (MPEG) – a subgroup within SMPTE that establishes various standards and specifications for audio and video applications, such as specifications for compression methods for audio and video transmission.
MP3 – short for MPEG-1 Layer 3. A file format for digital compression of an audio file, that reduces the size of the file significantly. Layer 3 is one of three coding schemes (Layer 1, Layer 2, and Layer 3) used to compress audio signals. Layer 3 uses perceptual audio coding and psychoacoustic compression to remove superfluous information—redundant and irrelevant parts of a sound signal that the human ear does not hear. Layer 3 also has a frequencyresolution that is 18 times greater than that of Layer 2. This allows shrinking the size of an audio file by a factor of 12. It has been stated, that AAC produces the same quality audio at 96 kbps as does MP3 at 128 kbps, but with improvements in MP3 codecs (especially LAME), mp3s have performed comparable to AAC in some listening tests.
MP3 player – a small portable consumer electronic device that stores and plays music files in the MP3 format. MP3 players are in the broader category of digital audio players and often can play other file types, such as AAC and WMA.
MP3 Surround – an audio file format that adds surround sound capabilities to ordinary MP3 files. MP3 Surround files are backward-compatible, so they can be played by any MP3 player, but the surround sound information is only decoded by devices that support the format.
MP4 – MPEG-4 Part 14. A digitalmultimedia format standard specified as a part of MPEG-4, most commonly used to store video and audio, but can also be used to store other data. It is a container format that can be streamed over the internet. The official filename extension for MPEG-4 Part 14 files is .mp4, but several other extensions are used, such as .m4a and .m4p. Apple uses .m4a for audio only files that are usually compressed using lossy AAC encoding, but can also use the Apple Lossless Audio Codec (ALAC). Files with the .m4p extension use DRM protection technology to restrict copying.
MPE – Multidimensional Polyphonic Expression. A MIDI protocol in which note messages, pressure, velocity, etc. are applied to a single note, rather than these parameters affecting every note on a given channel.
MPEG-3 – a group of audio and video coding standards agreed upon by the Moving Picture Experts Group (MPEG) for use with HDTV. In 1992 HDTV was included as a separate profile in the MPEG-2 standard and MPEG-3 was rolled into MPEG-2.
MPEG-4 ALS – MPEG-4 Audio Lossless Coding. It is part of the MPEG-4 audio standard for lossless audio compression. It uses a method similar to FLAC to improve the quality of the audio reproduction.
MPEG-4 DST – MPEG-4 Direct Stream Transfer. It is part of the MPEG-4 audio standard for lossless audio coding of oversampled audio. It is also part of the Super Audio CD specifications.
MPEG-4 SLS – MPEG-4 Scalable to Lossless. It is part of the MPEG-4 audio standard that allows for lossless audio compression scalable to lossy MPEG-4 general audio coding methods, such as variations of AAC. MPEG-4 SLS can have both a lossy layer and a lossless correction layer similar to WavPack, but can also be formatted without a lossy layer.
MPEG-4 Structured Audio – a part of the MPEG-4 audio standard that provides for a powerful and flexible description of sound in a variety of ways, which are termed “structured audio.” This method transmits sound by describing it rather than compressing it. The sound descriptions generate audio when compiled (or interpreted) by the appropriate decoder. MPEG-4 Structured Audio consists of the following major elements: (1) Structured Audio Orchestra Language (SAOL), an audio programming language. (2) Structured Audio Score Language (SASL), used to describe the manner in which the algorithms in SAOL are used to produce sound. (3) Structured Audio Sample Bank Format (SASBF), which provides for the transmission of banks of audio samples to be used in wavetable synthesis. (4) BIFS (Binary Format for Scene Description), used to describe how objects in a structured media scene fit together. (5) Structured Audio Scheduler, the supervisory run-time element of the Structured Audio decoding process. (6) MIDI support, which provides backward-compatibility with existing content. See also advanced audio coding.
MPEG-H – a series of standards developed by the ISO/IECMoving Picture Experts Group (MPEG). These standards consist of MPEG-H Parts 1 through 13 and include specifications for a digital containers, audio compression, video compression, and testing procedures. Also known as ISO/IEC 23008: High efficiency coding and media delivery in heterogeneous environments.
MPEG-H 3D Audio – MPEG-H Part 3. One of the MPEG-H standards for coding 3D Audio, specifying audio channels, audio objects, and higher-order ambisonics (HOA). It also supports binaural rendering of sound for headphone listening.
mpg – one of a several file extensions for files encoded using MPEG-1 or MPEG-2 audio and video compression.
MPSE – Motion Picture Sound Editors. An honorary society of motion picturesound editors founded in 1953. The goals of the society include educating the public and the filmmaking community about the artistic merit of sound editing, showing the artistic merit of soundtracks, and improving the professional relationship of its members. Each year the MPSE presents the Golden Reel Awards in honor or the year's best work in the various areas of sound editing: dialog, ADR, sound effects, foley, and soundtrack music.
MPX – (1) Abbreviation for multiplex, the process for broadcasting stereo on analog FM radio. (2) A button marked “MPX” on some cassette decks, that activates a 19-kHz notch filter to FM stereo pilot tone so that does not intefere with Dolby noise reduction systems. The Dolby decoding system can mistakenly sense the pilot tone as high-frequency content in the music. It can also cause audible birdies if beating with the tape bias occurs.
MTS – Multichannel Television Sound. The format for stereo sound used with standard definition televisionbroadcasts prior to the adoption of HDTV. It also permitted a third channel called SAP (Separate Audio Program), which was used for alternate languages or other purposes.
muddy – (1) A descriptive term for a sound that is unclear or lacking definition due to excesses in the mud range, having excessive reverberation or leakage. The opposite of clear. (2) A descriptive term for a mix in which various instruments are overlapping each other in frequency.
mud range – slang for the audio frequencies between 200 Hz and 400 Hz (the lower midrange). Excessive boosting in this range can overwhelm the higher frequencies causing a muddy, undefined sound. Sometimes called the cardboard frequencies.
multieffects pedal – an effects pedal for instruments that creates two or more effects simultaneously so that one device can replace several single-purpose units. These devices usually use digital processing to simulate the effects. Such devices often can be programmed, having several memory locations to save custom user settings.
multieffects processor – a signal processor that can perform more than one processing function. Also called a multiprocessor.
multimedia – (1) The combining of several media, such as audio and full-motion video in computer applications. (2) Pertaining to, or involving the use of multimedia.
multiplex – (1) The process for broadcastingstereophonic sound on analog FM radio. Abbreviated MPX. (2) A system providing for the simultaneous transmission of several signals on a single channel of communication. (3) To combine a video and audio signal into one file containing both video and audio. Called mux for short.
multitrack – (1) Having the ability, either through hardware or software, to record or play back more than one track or channel. In particular, a multitrack should be able to provide for monitoring one or more tracks while recording on one or more other tracks. (2) A wide-format audio recording tape on which parallel tracks can be recorded, each containing a performance by one or more instrumentalists, vocalists, or virtual tracks. (3) To use a wide-format audio recording tape to record several performances, either at once or individually.
multitrack recorder – a machine or device that can be used to record and play back more than one track or channel of audio signals. A multitrack recorder usually has the ability to monitor one or more tracks while recording on one or more other tracks.
multitrack recording (MTR) – recording several separate audio signals onto different channels (tracks) of a recording medium. Multitrack recording began in 1955 when engineers began to record different audio signals onto separate discrete tracks on the same reel-to-reelrecording tape. Multitrack recording allowed various instruments and vocals of a song to be recorded separately, either simultaneously or at different times, which allowed them to be mixed together at a later time. Prior to this development, all of the singers and musicians had to sing and play together at the same time. Multitrack recording allows the engineer to adjust the levels and effects on each track individually, to make overdubs, to layer several takes, and, if necessary, to redo (punch in) certain tracks or parts of a track to correct errors or to obtain a better take. Today, multitrack recording can be performed digitally. Also known as multitracking.
Muscle Shoals Sound Studio – a recording studio located in Muscle Shoals, Alabama, founded in 1969 by four session musicians that made up the Muscle Shoals Rhythm Section (known as the Swampers). They left Rick Hall's nearby FAME Studios in Muscle Shoals to form their own recording facility. In 1979, they moved to a new location, which operated as a recording studio until 2005. In 2006 the original location was listed on the National Register of Historic Places. It was partially restored in the early 2000s. In 2013 it was sold to the Muscle Shoals Music Foundation, which completed the restoration. It reopened in 2017 as a recording studio and for tours.
Musepack (MPC) – an open source lossy audio codec designed for high quality audio that has been compressed at bit rates of 160 to 180 kbit/s, but can go up to 320 kbit/s. Formerly known as MPEGplus, MPEG+, or MP+, it uses the .mpc, .mp+, .mpp file extensions.
music – (1) An artistic form of sonic communication using rhythms and tones in a structured and continuous manner. (2) The music industry.
MUSIC – a holding company headquartered in Makati City, Metro Manila, Philippines, and chaired by Uli Behringer, founder of Behringer. It was formerly known as the Music Group. Besides Behringer, which was founded in 1989, in Willich, Germany, the company also owns other audio companies such as Midas, Klark Teknik, Eurotec, Turbosound company, and TC Group (consisting of TC Electronic, TC-Helicon, TC Applied Technologies, Tannoy, Lab Gruppen, and Lake). Much of its manufacturing is done at its plant in Zhongshan, China. Research and development and marketing activities are conducted at MUSIC's Manchester, UK offices.
musical – (1) Related to or pertaining to music or the production of music. (2) Having the nature or resemblance to music. Being melodious or harmonious. (3) Being skilled in music. (4) A play or motion picture in which the story line or dialog is interspersed with and often developed using songs and dances.
musical composition – (1) An original piece of music, including the melody and lyrics, if any. The term is often used in copyright law to distinguish the song from the sound recording. (2) The structure of a musical piece. (3) The process of creating or writing a new song or piece of music. People who create new compositions are called composers (especially for orchestral and classical music) or songwriters (especially for popular music and traditional music). The person who writes the words for a song is called the lyricist.
musical form – the overall structure of a piece of music or the arrangement of its various sections, such verse, chorus, and bridge. The form is often indicated using capital letters, such as ABA, AABA, ABCA, etc., to indicate the order of these sections. One of the most common forms is intro, verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, verse, chorus, and outro. Also called musical architecture, song form, or song structure.
music bed – music in the background of a voice over.
MusicBrainz – a project that endeavors to create an open content music database similar to the freedb project. It was founded in response to the restrictions placed on the CDDB by Gracenote, Inc. MusicBrainz goes beyond maintaining a compact disc database to be an open online database for all music. The database contains as a minimum the album title, track titles, and the length of each track, but can also include release date and country, cover art, acoustic fingerprint, additional text, and other metadata. Using software that communicates with MusicBrainz, metadata tags can be added to digitalaudio file, such as MP3, Ogg Vorbis, AAC, etc. These entries are maintained by volunteer editors using written style guidelines.
Music Loudness Alliance (MLA) – an industry group consisting of audio technical and production experts that strives to inform and educate the audio community on loudnessnormalization and ways to combat the “loudness war.”
music notation – a method of writing or visually representing music, using a variety of symbols that represent notes as well as the duration, loudness, and other factors that affect the notes. Also called musical notation.
music note – (1) A symbol used in musical notation to represent the relative duration and pitch of a sound. (2) The pitch of a musical tone. See chart showing notes and their frequencies, as well as the corresponding MIDI note number.
Music Recording Studio Security Program (MRSSP) – a program jointly developed by operational and technical specialists within the recording industry and administered by the CDSA to establish music recording studio security (MRSS), a set of security controls to measure the effectiveness of recording studios or individuals involved in the recording studio process in securing and protecting physical and digital media. The program focuses on the access to and handling of such media to mitigate the risk and reduce the impact of copyright infringement resulting from leaked content. An organization or individual can be certified if it passes the required criteria of CDSA auditors.
music theory – the field of study dealing with the concepts and mechanics of music and how music works. Music theory analyzes and presents the elements of music, such as rhythm, harmony, melody, structure, form, and texture. Some theorists study the patterns inherent in the techniques used by various composers.
Musikmesse – a trade show held annually in Frankfort Germany, featuring musical instruments, lighting, sound reinforcement, and recording equipment. See also NAMM.
mute – (1) To turn off or silence the audio signal from a channel on a console or DAW. Sometimes called cut. (2) The button or control used to silence an audio signal. (3) To damp the strings of a stringed instrument by placing the side of the hand or the edge of the palm over the strings close to the bridge (called palming or palm muting or using the fretting hand to damp the strings while strumming with the other producing a percussive sound (called fret hand muting. (4) A clamp placed over the bridge of a stringed instrument to reduce resonance without changing the vibration of the strings. (5) A hollow, cone-shaped device that fits into the bell of a brass instrument, creating a metallic, sometimes nasal sound, that can result in a very piercing note. Called a straight mute. (6) A round cup-shaped device placed over the bell of a brass instrument which removes the upper and lower frequencies creating a rounder, more muffled tone. Also called a cup mute.
mute button – the button or control used to silence (mute) an audio signal. Also called a mute switch or cut switch.
Mutual Broadcasting System, Inc. (MBS) – a US radionetwork operated from 1934 to 1999. From 1934 to 1952, Mutual was owned and operated as a cooperative (similar to the way NPR operates today), in which member stations shared their original programming, expenses, and revenues. This business structure ended when General Tire assumed majority ownership in 1952 through a series of radio station acquisitions. In 1957, Mutual was purchased by a group headed by Armand Hammer, but a year later was sold to the Scranton Corporation. Mutual was soon taken into bankruptcy. Because of its financial difficulties, Mutual never successfully entered the television network businsess. In 1960, the network was revitalized when it was purchased by the 3M Company. In 1966, 3M sold the network to a privately held company, Mutual Industries, Inc., and the network was renamed to the Mutual Broadcasting Corporation. The network was purchased by Amway in 1977. In 1985, the network was acquired by Westwood One, a major radio production company and syndicator. In 1987, Westwood One purchased its long-time competitor, the NBC Radio Network. Westwood One was acquired by Infinity Broadcasting in 1994. In 1996, Westinghouse, the new parent company of CBS, purchased Infinity. In effect, the direct descendants of the three original US radio networks had merged. In early 1999, Westwood One dropped the Mutual name and became CNN Radio. Also known as the Mutual Broadcasting Company, Mutual Radio Network, Mutual Radio, or simply Mutual.
Mylar® – DuPont's trade mark for an extraordinarily strong polyester film that was developed in the early 1950s. Mylar with its superior tensile strength, heat resistance, and excellent insulating properties, became the standard base for magnetic recording tape used for both audio and video. It is also used to manufacure some drumheads. Mylar is often used as a generic term for any polyester film. Mylar is now a product of the joint venture DuPont Teijin Films.
MXL – the pro audio division of Marshall Electronics, a privately owned company headquatered in Torrance, CA, specializing in industrial and consumer electronics. Marshall Electronics was founded in 1980 by Leonard Marshall, an electrical engineer. MXL (located in El Segundo, CA) introduced its first microphone inj 1998 with the goal designing and manufacturing a condenser microphone at an affordable price that could rival the performance of much pricier microphones.
Note: We believe this is the largest dictionary (glossary) of terms specific to usage within the recording industry that is currently available on the internet, with more than 8,100 entries, nearly 600 illustrations, and dozens of tables. Some of the terms have different or additional meanings in other situations, especially within the electronic, automotive, scientific, and computer industries. Of necessity there are obvious overlaps into other fields such as music, electronics, and computers, but such excursions are limited to information deemed pertinent to the knowledge required to operate and/or participate effectively in the workings of a recording studio. Also included are terms related to sound reinforcement (live performances) including wireless microphone technology because a working knowledge of that terminology is necessary for recording at live performance venues. Because recording studios also record audio for video and motion pictures (films), some terminology from those fields is included. Some scientific terms are included because they help explain studio terminology. For example, electromagnetism explains how microphones, loudspeakers, and guitar pickups work. Knowledge of radio waves and the radio frequency spectrum is needed to explain wireless devices. Any trademarks or trade names mentioned belong to their respective owners. The information contained in this dictionary is believed to be accurate at the time of publication. This information is subject to change without notice. The information was obtained from and cross-checked with a variety of sources that are believed to be reliable. However, Los Senderos Studio, LLC does not guarantee the accuracy or completeness of the information contained herein. Please contact us to report any errors, omissions, discrepancies, or broken links. Los Senderos Studio shall not be responsible for any consequences or damages arising out of the use of this information. Nothing in this glossary should be interpreted as legal advice. For a glossary providing information on legal and business matters for musicians, we suggest you consult Musicians Business Dictionary.
A note on alphabetical order: The terms in this glossary are alphabetical without regard to spaces and punctuation. For example, AM Radio follows amplitude. While this may seem to be at odds with other conventions, it eliminates confusion with words such as pickup, which is sometimes written as pick up or pick-up. The entries on the number page (0-9) are listed in increasing value within each digit. For example, all of the entries beginning with 1 are listed before those starting with 2. For Greek letters (α-ω), the entries are in Greek alphabetical order.